These photographs began with moments that seemed to hold more than what was immediately visible — moments between home and the street, between staying and leaving.
Doors, steps, walls and windows recur throughout the series, not simply as elements of architecture, but as places where lives gather, pause and pass through. People sit beside them, turn away from the camera, or look towards something beyond the frame. A child moves towards the street and play while, in the same image, someone else faces the darkness inside the house. Elsewhere, it is difficult to tell whether a figure is arriving, leaving, or simply remaining between two spaces.
This sense of being in-between became central to the work — neither fully inside nor fully outside.
Children, adults and older people appear across the series, not as a linear story of ageing, but as different ways of inhabiting a threshold. For one person it becomes a place of movement, for another a place of pause, and for another, perhaps, a place to remain.
The darkness of the interiors, bodies turned away, and gazes that move beyond the camera carry a sense of something unresolved — something present, but not fully available to us.
At the Threshold stays with these moments: where home does not quite end at the door, where the street is not entirely outside, and where, for a brief moment, people inhabit the space between.
